ONE-ON-ONE WITH A DRAMATURG

Personalized matching with an experienced dramaturg to help you revise and strengthen your script.

A great benefit of Playwrights’ Center membership is the opportunity to work one-on-one with a professional dramaturg on your script, at any stage. This relationship provides a critical read of your play with written comments and/or conversational feedback with a dramaturg chosen with your work in mind. We have a number of professionals in our network who enjoy helping member playwrights get the guidance and feedback needed to develop as a playwright. This is an excellent value for the time and comments you receive.

How it works:

FULL-LENGTH PLAY

Option 1 - $225:

  • A playwright dramaturg reads your play and schedules an hour-long phone or zoom meeting to talk about the play with you and give you verbal feedback. (No written notes are included)

Option 2 - $320:

  • A dramaturg reads your play, writes up a couple of pages of constructive feedback and comments and sends them to you via email. 

Option 3 - $380:

  • A dramaturg reads your play, writes up a couple of pages of constructive feedback and comments and sends them to you via email. Later, the dramaturg meets with you over the phone or via zoom to discuss the written comments and answer your questions.

10-MINUTE OR ONE-ACT PLAY

Option 1 - $180:

  • A playwright dramaturg reads your play and schedules an hour-long phone or zoom meeting to talk about the play with you and give you verbal feedback. (No written notes are included)

Option 2 - $210:

  • A dramaturg reads your play, writes up a couple of pages of constructive feedback and comments and sends them to you via email. 

Option 3 - $260:

  • A dramaturg reads your play, writes up a couple of pages of constructive feedback and comments and sends them to you via email. Later, the dramaturg meets with you over the phone or via zoom to discuss the written comments and answer your questions.

To sign up

Click the sign-up button, choose two dramaturgs from the list, and we will connect you with the one who has the earliest availability.

Sign up now Back to script feedback

Types of Plays:
Serio-comedies, lyrical dramas, and farces about: inter-cultural clashes and connections, the political in the personal, spirituality, sexuality, families, and plays inspired by historical events. Can work on plays that range from naturalistic to non-narrative experimental work. Has a special affinity for comedy and poetic theater.
Types of Plays:
Realistic, historic, and theatrical. His own work tends to be grounded in drama with dark comedic elements and fall within the realm of tragedy.
Types of Plays:
Writes wry comedies, family dramas, and plays with music. Her dramaturgy experience, with both new and experienced writers, also includes dense poetic writing and contemporary structures.
She/her
Types of Plays:
I'm interested in stories that play with form, structure, and character. Interests of mine include queer and feminist narratives, horror, fairy tale, reality-adjacent worlds, and social justice.
Types of Plays:
Writes intimate plays, dramas, plays with darker edges, and research-driven projects. She is happy to work on any type of play.
Types of Plays:
Typically writes plays steeped in realism but reads and sees plays of all kinds and can work on plays of any genre.
Types of Plays:
He writes about love, baseball, home, and his travels. He enjoys plays with humor, heart, and something new.
She/her
Types of Plays:
My work experience has led me to all genres of theatre, but I have the most experience with classical dramas, such as the work of August Wilson. I am also committed to amplifying the voices of emerging Black playwrights.
Types of Plays:
Comedies, post-modern/non-linear drama, children's plays, musicals
Types of Plays:
Drama, tragedy, sci-fi, comedy, experimental.
Types of Plays:
She loves ambitious plays that have big questions, rich characters, and a sense of magic. She's open to working with any genre of writing although she has limited experience with musicals. She's interested in how plays connect with audiences and create a unique experience. As a dramaturg, she'll ask questions, share observations, and offer concrete suggestions.
Types of Plays:
Writes comedy and drama - often research-based or based on historical/real events. Very good with structure and linear narrative.
Types of Plays:
She has experience collaborating on a broad range of styles and genres—from experimental forms to music theater, from dance theater to historical dramas.