Victoria Stewart

Before graduating from the Playwrights Workshop at the University of Iowa, Victoria was a professional stage manager. She has received the Francesca Primus Award, a McKnight Fellowship in Playwriting, the Helen Merrill Award, the Susan Smith Blackburn Award (finalist), and the Jerome Fellowship as well as residencies at Ucross/Sundance, Hedgebrook, Hermitage, Tofte Lake, and the Donmar Warehouse. Her plays include Rich Girl (The Old Globe, Theatre 502, George Street Playhouse, Cleveland Playhouse, Lyric Stage), Mercy Watson to the Rescue! (Magik Theatre, Children’s Theatre Company, Marin Theater Company), Hardball (Live Girls Theatre!, SPF), Fissures (lost and found) (Actors Theatre of Louisville), Clandestino (Mixed Blood), Live Girls (Urban Stages, WHAT, Stage Left), Nightwatches (Overlap Productions), and 800 Words: The Transmigration of Philip K. Dick (Caravan Theater, Live Girls Theatre!, Workhaus Collective). Recently, she finished a screenplay for HBO and a new play, Ophelia Redux. She is a founding member of the Workhaus Collective, is an Affiliated Writer with the Playwrights’ Center and a member of WGA West and the Playwrights Union of Los Angeles.

Types of Plays: 
Writes comedy and drama - often research-based or based on historical/real events. Very good with structure and linear narrative.


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