William Cameron
Washington, PA

 William Cameron is best known as the author of Violet Sharp, winner of the 2007 Julie Harris Playwriting Prize. Violet Sharp, a drama of the Lindbergh Kidnapping Case, received its world premiere at Theatre 40 in Los Angeles in 2009 and was published by Samuel French in 2012. 

​More recently, William’s drama Truth Be Told has received national attention. A taut, two-character drama exploring the aftermath of a mass shooting, Truth Be Told won both the 2020 Stanley Drama Award from Wagner College and the W. Keith Hedrick Playwriting Contest from HRC Showcase Theatre.  Truth Be Told was also featured in this year’s Ashland New Plays Festival in Ashland, Oregon. 

​William’s plays have been performed around the country, including off-off Broadway at the Harold Clurman Theatre, the Source Theatre in Washington, DC, the Pittsburgh New Works Festival, and numerous community and academic theatres. Professor emeritus of Theatre and Communication Arts at Washington & Jefferson College in Pennsylvania, William has written several plays tailored specifically to his students. These include Intersect, a drama about racial tensions at a small college, and Cease to Exist, a chronicle of the Manson murders. 

​William lives in Washington, Pennsylvania with his wife, artist and actress Susan Martinelli.  


by William Cameron

Winner, Ashland New Plays Festival, 2020

Winner of the 2020 Stanley Drama Award, presented by Wagner College

Winner of the W Keith Hedrick Playwriting Contest, HRC Showcase Theatre

Kathleen Abedon’s teenage son Julian carries an automatic weapon into his workplace and opens fire. When the smoke clears, fourteen people are dead, Julian among them. One year later, when true-crime writer Jo Hunter comes to town to interview Kathleen for a book on the shooting, the grief-stricken mother seeks to convince the skeptical journalist that Julian has been framed for the shooting. At a time in our history when the truth is under attack on a daily basis, Truth Be Told explores the nature of objective truth and the ways in which we manipulate and distort it to serve our own ends.

KATHLEEN ABEDON: early 40’s, a mother / JOSEPHA (JO) HUNTER: mid-30’s, a journalist
by William Cameron

Based on the true story of the 1932 Lindbergh Kidnapping Case, Violet Sharp is named for the young British maid working at the home of Anne Lindbergh’s mother. In the wake of the historic kidnapping of beloved aviator Charles Lindbergh’s 20-month-old son, Violet raises the suspicion of the police with a contradictory testimony about her whereabouts to police investigator Officer Walsh. Under pressure from her own personal demons as well as the police, Violet’s efforts to clear her name cannot seem to overpower a growing reputation of guilt.


VIOLET SHARP may use double casting. The playwright suggests the following but other combinations are certainly possible and are left to the discretion of the director: 

Actress 1: Violet Sharp

Actress 2: Betty Gow

Actress 3: Adela

Actress 4: Anne Lindbergh, Edna Sharp, Laura Hughes, Nurse

Actor 1: Harry Walsh

Actor 2: Charles Lindbergh

Actor 3: Norman Schwarzkopf, Septimus Banks

Actor 4: John McGrath, Miller

Cast: (6m, 7f) -- VIOLET SHARP, 27 - British servant to Mrs. Dwight Morrow / BETTY GOW, 20’s - Nursemaid to Charles Lindbergh Jr. / ADELA - Elegantly dressed reporter of the ‘sob sister’ school of journalism / CHARLES LINDBERGH, 30 - Famed Aviator and Father of the Child / ANNE LINDBERGH, 26 - Author, Navigator, Pilot and Mother of the Child / COLONEL NORMAN SCHWARZKOPF, SR., 40’s - Commander, New Jersey State Police / CAPTAIN HARRY WALSH, 40’s - Jersey City Policeman / SEPTIMUS BANKS, 40’s - Head butler for Mrs. Dwight Morrow / EDNA SHARP, 20’s - Violet’s younger sister / LAURA HUGHES, 30’s - Secretary to Mrs. Dwight Morrow / SGT. JOHN MCGRATH - New Jersey State Policeman / MILLER, 24 - A young suitor / A NURSE
by William Cameron

In the midst of the final dress rehearsal for her new play, director/playwright Dana is devastated when her fiancée Cliff, incensed and embarrassed that the character based on him comes off as a hapless buffoon, storms out. Distraught, Dana turns to Alice and Beck, her two actors, for comfort but they have issues of their own. Trapped in a loveless marriage with an older man, Alice has stumbled into a secret affair with Beck, her leading man. After some soul searching by all involved, Cliff stumbles back in with yet another crisis that brings everything to a head.

Published by Norman Maine Plays

ALICE, 30's -- an actress / BECK, 30'S -- an actor / CLIFF, late 20's -- an accountant, engaged to Dana / DANA, late 20's -- playwright/director, engaged to Cliff / ERIC, early 20's -- stage manager, albeit a confused one
by William Cameron

Patricia Krenwinkel, convicted for her role in the 1969 Tate and LaBianca murders, has now served 38 years of a life sentence and is up for parole.  As she attempts to convince the parole board of her suitability for release, Krenwinkel is inevitably drawn back into the events of her troubled past—her childhood, her first meeting with Charles Manson, her life with the 'Family'" and, ultimately, her participation in the infamous murders.   Cease to Exist takes us inside the tormented mind of Patricia Krenwinkel as she recounts her crimes and, ultimately, comes face to face with the sister of her most famous victim.  

Characters Patricia Krenwinkel, 62 — a prisoner at the California Institution for Women in Corona, California Charles Manson, 30's — the infamous cult leader Katie, early 20's — Patricia's younger self Steven Hernandez — presiding commissioner of the parole board Debra Tate, 50's — sister to Sharon Tate, Tate family spokesman at the parole hearing Tex Watson, early 20's — Manson family member Various others — 'Family' members, parole board members, murder victims Casting Cease to Exist is written for a cast of 4 women and 3 men. Females 1. Patricia Krenwinkel 2. Katie 3. Woman 1 — plays Debra Tate, various others as specified in the script 4. Woman 2 — plays Mother, various others as specified in the script Males 1. Charles Manson 2. Man 1 — plays Steven Hernandez, various others as specified in the script 3. Man 2 — plays Tex Watson, Father, various others as specified in the script
by William Cameron

David Bradford is brought to trial for treason for his role as a rebel leader of the Whiskey Rebellion of 1794. His lawyer, Daniel Redick, must fight the considerable powers of the United States government to save his client from the gallows. Commissioned by the Whiskey Rebellion Festival in Washington, Pennsylvania, The Trial of David Bradford will receive its world premiere in July 2021.

(8 men, 1 boy) David Bradford, mid-30’s, The defendant / Daniel Redick, 50’s, Bradford’s attorney/ William Raleigh, 50’s, Federal Prosecutor/ Judge Richard Peters, 60’s, Judge for the United States District Court for the District of Pennsylvania/ General John Neville, 50’s, Witness for the Prosecution/ John Mitchell, 40’s, Witness for the Prosecution/ Johnny Mitchell, 11, John Mitchell’s son/ Hugh Henry Brackenridge, 40’s, Witness for the Prosecution/ Bailiff
by William Cameron

THESPIANS covers a year in the life of the Pinecrest Playmakers, a community theatre troupe.  In act one, a coup is underway at The Odd Couple’s opening night party.  Wally is seeking to have neophyte Eddie kicked out of the show.   Act two starts with Digger in jail for attacking the local drama for his vitriolic review of Digger’s Hamlet. With only 25 minutes until curtain, what deals will have to be struck to get Digger out of the slammer and into his codpiece?  In the final scene, the women’s dressing room on opening night of A Streetcar Named Desire is ablaze with conflict as egos rise and fall, new rivalries simmer, old ones burn out, until all must unite in the face of one last crisis.

CALVIN BRIDGES, 50’s, drama critic for the Pinecrest Post / EDDIE BITTNER, 30’s, a jovial salesman and the newest, least experienced member of the Pinecrest Playmakers / ROXIE MCILVAINE, late 20’s, single cosmetologist with her eye on Eddie / OPAL MCKITRICK, late 20’s-early 30’s, talented and beautiful actress with the Playmakers / MOLLY WILKINSON, late 20’s-early 30’s, another less celebrated actress with the Playmakers / WALLY WILKINSON, early to mid 30’s, a self-important college professor. Married to Molly. / JOHN “DIGGER” DIGBY, mid 30’s, the Playmakers’ star, a shoe salesman in real life but real life means little to him. / SELENA TEMPLETON, 50’s, the flamboyant grande dame of the Playmakers / LESTER FRANKLIN, late 20’s-early 30’s, Pinecrest borough police officer with theatrical ambitions
by William Cameron

Inspired by the notion that bad exposition can make for good comedy, A Disturbing Encounter at the Calhoun Residence Involving Sex, Marriage and the American Musical Theatre takes us to the home of Roger and Charlotte Calhoun. Having received a mysterious phone call suggesting that Roger may be the illegitimate father of a local teenage girl, the Calhouns are thrown into a tizzy when their teenage son Billy shows up with Suzie, his new girlfriend. Could this be Roger's daughter? Gasp!

CHARLOTTE CALHOUN: Mid to late 40's. The long-suffering wife of the doltish Roger; she isn't exactly, well...faithful. / ROGER CALHOUN: Mid to late 40's. Doltish husband to Charlotte; hasn't always been exactly, well...truthful. / BILLY CALHOUN: 16. Roger and Charlotte's son; hormonal, good at math. / SUZIE: 16. Billy's new girlfriend; bad at math, smartest one in the room.


The Wagner College Theatre has announced that the winner of this year’s Stanley Drama Award is William Cameron for his play, “Truth Be Told.”

My one-act, Speak the Speech, I Pray You..., which won the Nantucket Short Play Competition way back in 1996, has been published in Volume 1 of the Nantucket Short Play Anthologies.  This short comedy ultimately became the basis for my full-length comedy, Thespians.  

Violet Sharp, winner of the 2007 Julie Harris Playwriting Prize, is available for production through Samuel French.