
Maureen is a Board Member of the New Musical Theatre Exchange (NMTE: www.nmte.org) -- a nonprofit designed to bring together committed librettists, lyricists and composers to develop new works of musical theater in the Twin Cities and beyond. Maureen's most recent work -- A House Divided: An Intimate Musical of the Lincoln Presidency -- is a collaboration with Michael J. Salmanson and Thomas C. Berg. A grant from the Metropolitan Regional Arts Council supported two live concert performances of the piece in 2021 at the Minnesota History Center (St. Paul) and Beard's Plaisance (Minneapolis). It received its world premiere production in May 2018 in Narberth, Pennsylvania. The Bluegrass Opera Company of Lexington, Kentucky selected it for its Early Stages series and produced three readings in 2017. NMTE sponsored three Staged Readings in the Twin Cities in 2015-16.
Maureen's musical comedy Got It Made and its one-act version, (Almost) Got It Made, have been performed in theaters from Georgia to Washington State and published by Heuer Publishing. Maureen developed and co-wrote two musical comedy revues for The Public Offenders, a troupe that performed at Zanies Comedy Club in Chicago. Her short plays Decomposition, Hopkins Extraordinary Travel, Lawyers In Love, and A Bug In Your Ear have been featured in multiple regional theater festivals. She has written, directed, and produced musical comedy pieces for major corporate events and directed Dido and Aeneas and Orpheus and Eurydice for Garden of Song Opera. Maureen's twenty+ years as a practicing lawyer have given her insights into the workplace and other human dynamics that inspire her characters and situations.
Maureen is a proud member of The Playwrights' Center, The Dramatists Guild, and Writer Rung (www.writerrung.blogspot.com).
Marta Praeger of The Robert A. Freedman Dramatic Agency, Inc. represents Maureen and her collaborators with respect to A House Divided. https://www.robertfreedmanagency.com/contact.html
Maureen's musicals Got It Made (full-length) and (Almost) Got It Made (one-act) are published by Heuer Publishing LLC. Rights to perform these pieces can be obtained at www.hitplays.com.
For rights to other pieces, you can contact Maureen through her website: www.maureenkaneberg.com.
Plays
(Written for a cast of 12 (9 named, 3 chorus); can be performed with as few as 9 or can accommodate a large chorus.)
Your audience will leave the theater whistling after seeing this musical comedy with its witty lyrics and catchy melodies. Got It Made both recalls the classic American musical and updates the genre by using a wide variety of music (from Broadway to reggae) and by telling a modern story.
Our heroine Molly Merriweather is a young woman (20's or 30's) hoping to make her mark at Cheeseman's Real Estate Development and Management, Inc. (think Trump Enterprises). Her assistant Freddy is a loyal friend and employee, but romantically challenged. Her college friend Chloe, a glamorous fashion photographer, has just returned from Milan to learn her identity has been stolen.
Molly talks Freddy and Chloe into staking out some ATM's to try to catch the identity thief. While Freddy and Chloe find a perfectly shallow kind of love, Molly's investigation leads right back to Cheeseman's and threatens to bring down the whole company. It all leads to fun, surprises and the requisite happy ending in this send-up of office politics, modern romance, and corporate corruption.
(7 named parts: 3 women, 4 men, chorus optional)
Your audience will leave the theater whistling after seeing this musical comedy, with its witty lyrics and catchy melodies. (Almost) Got It Made both recalls the classic American musical, and updates the genre by using a wide variety of music styles and telling a modern story. This one-act musical is a condensed version of the full-length Got It Made for groups seeking a shorter (65-minute) piece with a smaller cast (7 named parts; chorus optional).
Our heroine Molly Merriweather is a young woman (20's or 30's) hoping to make her mark at Cheeseman's Real Estate Development and Management, Inc. (think Trump Enterprises). Her assistant Freddy is a loyal friend and employee, but romantically challenged. Her college friend Chloe, a glamorous fashion photographer, has just returned from Milan to learn her identity has been stolen.
Molly talks Freddy and Chloe into staking out some ATM's to try to catch the identity thief. While Freddy and Chloe find a perfectly shallow kind of love, Molly's investigation leads right back to Cheeseman's and threatens to bring down the whole company. It all leads to fun, surprises and the requisite happy ending in this send-up of office politics, modern romance, and corporate corruption.
In this ten-minute play, a group of aspiring playwrights has gathered for a class on very serious play writing. But the teacher has other ideas.
(This ten-minute play has one man onstage; and one woman who may be onstage or heard from offstage.)
In a tough economy, a lone surviving travel agent has to reach deep down to tap a hidden talent.
This ten-minute play asks the comedic question: "Can we really follow our dreams?" Two grandmothers offer their grandson wisdom earned over a lifetime.
Has also been performed with a granddaughter rather than a grandson.
Some people find excitement in the strangest ways.
This is a two-minute play.
This musical play reveals the behind-the-scenes drama between Lincoln and his family and between Lincoln and his fractious Cabinet, set against the backdrop of the Civil War. Actual period songs and original music written to fit the era weave through the piece.
Lincoln's family, initially excited to move to the White House, experiences personal upheaval that parallels that of the nation. Mary Lincoln is brutally excluded by Washington society and turns to a friendship with Elizabeth Keckley – a free black seamstress and former enslaved person, who had used her skill with the needle to buy her own freedom and build a thriving business in the nation's capital. When the Lincolns lose their beloved son Willie, Elizabeth comforts them both, but her presence and character challenge the notion that a just nation can tolerate the continuation of slavery. Elizabeth Keckley is played by two actors: the character in the scenes at the White House and an older narrator who reflects back on that time.
Meanwhile, Lincoln grapples with William Henry Seward and Salmon P. Chase -- two of his principal rivals for the presidency – whom he has appointed as Secretaries of State and Treasury. Lincoln's understanding of human character helps him manage these oversized personalities. They in turn force him to grow. The friendships and antagonisms among these three powerful men cause Lincoln's thinking to evolve on the issue of slavery.
These forces together bring Lincoln to the conclusion that, for the slaughter to have meaning, it must be for the goal of abolishing slavery and winning freedom. Overcoming his belief that the Constitution gives him no power over the issue, Lincoln finally decides he can use his authority as Commander-in-Chief to issue the Emancipation Proclamation. But the state of the war prevents him from moving forward; the Union must win a battle before he can take this momentous step.
By play’s end, Lincoln has overcome almost unimaginable burdens to unify and strengthen his “houses” – family, cabinet, and country – but his foreshadowed death prevents him from enjoying the peace he has desperately sought and finally achieved.
Successes
A grant from the Metropolitan Regional Arts Council supported two 2021 concert performances of A House Divided: one at the Minnesota History Center (St. Paul) and one at Beard's Plaisance (Minneapolis).
Narberth Community Theatre produced the world premiere A House Divided: An Intimate Musical of the Lincoln Presidency in 2018. http://narberthcommunitytheatre.org/a-house-divided
The Bluegrass Opera of Lexington, Kentucky chose A House Divided: An Intimate Musical of the Lincoln Presidency for its New Works program and produced a series of readings of in 2017.
GOT IT MADE and (Almost) GOT IT MADE have been published by Heuer Publishing LLC and are available at www.hitplays.com. They have been produced around the country from Georgia to Washington state.
GOT IT MADE had an independent production at the Pillsbury House Theatre in 2011. You can view video of that production here: https://vimeo.com/35470361