Ariel Stess is an L.A.-based playwright and director originally from Santa Fe, New Mexico. Her plays include The World My Mama Raised (Clubbed Thumb 2017), Heartbreak (The Bushwick Starr, co-produced by New Georges, Time Out Critic’s Pick 2015), I’m Pretty Fucked Up (Clubbed Thumb, Five Stars Time Out 2014), Tranquil, and KARA & EMMA & BARBARA & MIRANDA. She is a member of New Dramatists, a 2019-21 Core Writer of the Playwrights’ Center, and a New Georges Affiliated Artist.
Past residencies include 2016 Yaddo Writer’s Residency, 2016 SPACE on Ryder Farm with Playwrights Horizons, 2014 Mabou Mines Resident Artist Program, and 2013-14 New Georges Audrey Residency. Her work has been produced and/or developed at Playwrights Horizons, The Bushwick Starr, New Georges, Clubbed Thumb, and The Playwrights’ Center.
She holds a BA from Bard College and an MFA in Playwriting from Brooklyn College where she studied under Mac Wellman and Erin Courtney. She has taught at NYU, Brooklyn College, BMCC, and SUNY Purchase. She currently teaches playwriting and screenwriting at Northwestern University.
She’s been featured in The Brooklyn Rail, I Interview Playwrights, and Culturebot, and her writing has appeared in The Brooklyn Rail and Culturebot.
Set in Santa Fe, New Mexico, this comedy/drama looks at five teenagers' interlocking experiences on the day of a lockdown at their high school --- a portrait of attending high school in America in 2000.
World premiere produced by Clubbed Thumb.
This painful comedy looks at the insidiousness of rape culture in America through the eyes of three teenage employees at a fitness, swim, and racquet club.
A satire about the school-to-prison pipeline, mass incarceration, and women's reproductive rights.
World premiere produced by Clubbed Thumb
The story of four women with interlocking experiences who are trying to rid themselves of the toxic men in their lives in order to become whole. Spoil alert: they succeed! The play uses monologues, narration, and humor to reveal what if feels like to navigate space as a woman and delves into how, depending on our generation and class, we can turn on each other and misunderstand each other. But it also shows how we can unite, find hope, and bolster one another through unexpected small moments. This play is hopeful and playful and requires no set!
Spanning thirty years, this play is about trauma in love, the myth of the American cowboy, and the ways we grow and learn ... and don't grow and learn.
A play about fathers, daughters, siblings, and business partners. In a nutshell, a play about having your heart broken written in emotional utterances. This play feels like a comedy/poetry/song and can be performed with little to no set!
World premiere at The Bushwick Starr, co-produced by New Georges