Welcoming 2022–23 Core Apprentice Playwrights
Playwrights’ Center, in partnership with the Kennedy Center American College Theater Festival, announces our 2022–23 Core Apprentice Playwrights: Alexa Derman, Zachariah Ezer, and J.C. Pankratz. These early career playwrights will receive support over the course of the next year that nurtures their artistry and advances their careers.
University Programs and Partnerships Associate Shalee Cole Mauleón expresses the enthusiasm of Playwrights’ Center’s entire staff when she says, “It is a joy to welcome this year's trio of Core Apprentices. Their work runs the gamut from intimately lyrical, to audaciously interrogative, to unflinchingly satiric. The Playwrights' Center and I are honored and eager to gather this cohort together to support their powerful writing.”
She also reaffirms the importance of the Core Apprentice program, pointing out that, “For a playwright's career, one of the most critical times is the transition from the academic to the professional. By pairing the Core Apprentices with working artists in their field, this program sets the stage for Alexa, Zachariah, and J.C. to flourish in their craft and careers."
The Core Apprentice program provides each recipient an intensive workshop to develop their play alongside actors, a dramaturg, and a director; professional mentorship with an established playwright; opportunities to engage with the Playwrights’ Center community; Playwrights' Center Membership for two years; and other professional development and educational opportunities.
Core Apprentice Alexa Derman points out that this program can serve as a metaphor for what it means to be a playwright: “I think being a playwright is always being a kind of apprentice—I always want to be challenging myself, growing, pushing myself a little further. But I think being a Core Apprentice means, to me, taking that next step into the professional world—beginning to see myself not just as a playwriting student, but as a playwright.” She goes on to highlight how the program will help her launch her playwriting career: “My time as a Core Apprentice will coincide with my last year of my MFA at Brown; this program will (hopefully) make the transition out of my MFA feel less terrifying and more exciting by providing professional guidance and support.”
Recipient J.C. Pankratz is also excited for the supportive community that the program provides: “It's a tremendous honor to join the Playwrights' Center as a Core Apprentice. Community is key for me in all things, and being in space with a mentor, other writers, theatremakers, and the dedicated staff of PWC brings a near-electric excitement.”
Likewise, recipient Zachariah Ezer notes his enthusiasm to spend a sustained period of time developing new work: “I am really looking forward to digging into my play for the next nine months, with dramaturgical support from an experienced playwright!”
Alexa Derman is a playwright from Jersey. Her plays include PSYCHOPSYCHOTIC (Relentless Award Honorable Mention), GIRLISH (Fresh Ink Theatre), RESTORATION MASTER RESET (Cutting Ball in WAYS TO LEAVE A BODY), and I’LL BE IN MY HANUKKAH PALACE (sold-out at Ars Nova ANT Fest). She’s been a finalist for Playwrights Realm’s Writing Fellowship, the Starr Reading Series, Pegasus PlayLab, Kitchen Dog New Works, and Unicorn Plays-in-Progress; semifinalist for Bay Area Playwrights Festival and the O’Neill. Other honors and experiences include Fresh Ground Pepper's BRB retreat, nomination for the Cherry Lane Mentor Project, a residency with StageFemmes at Kenyon College, selection as a 2019 Lambda Literary Fellow, and at Yale the Marina Keegan Award for Excellence in Playwriting. Her work has been developed with Cutting Ball Variety Pack, Fresh Ink, and Orchard Project Audio Lab. She is currently commissioned by Manhattan Theatre Club via the Sloan Foundation. BA from Yale in Women's, Gender & Sexuality Studies. Alexa is pursuing her MFA at Brown, where she is a member of the Brown-RISD Game Developers and recipient of the Lucille Lortel Playwriting Fellowship. She also makes weird digital things. alexaderman.com
Zachariah Ezer is a playwright and dramaturg who animates theoretical quandaries through dramaturgical forms. His work has been seen at American Conservatory Theater, American Lore Theater, BUFU, Charging Moose Media, The DC Black Theatre Festival, Dragon Productions Theatre Company, The Echo Theater Collective, The Echo Theater Company, The Fade to Black Play Festival, Fault Line Theatre, Hi-ARTS, Iowa State University, The Lark, Merde, The New Cosmopolitans, New York Stage and Film, The Prelude Festival, The Rude Mechanicals, Ruthless Nightingale, The Secret Theatre, The Starfruit Project, The Tank, Theater Masters, The University of Texas at Austin, Wesleyan University, The Woodside Players of Queens, and The Workshop Theater. It has been published by Concord Theatricals/Samuel French, Smith & Kraus, American Blues Theater, New World Theatre, some scripts literary magazine, and Fleas on the Dog. It has been performed in New York City, Los Angeles, Chicago, Washington (state & DC), Houston, Austin, Ames, and online.
Awards: The University of Texas' James A. Michener Fellowship, Hi-ARTS' Critical Breaks Residency, Echo Theater Company's National Playwright in Residence, Town Stages' Sokoloff Arts Creative Fellowship, Best Play at The Woodside Players of Queens Summer Play Festival, BUFU's EYEDREAM Residency, and Wesleyan University's Olin Fellowship.
J.C. Pankratz (they/them) is a proud queer, non-binary, transgender playwright and educator writing genre-defying work about gender, class, trauma, and magic.
Their plays include Egg Tooth (Distinguished Achievement, Jean Kennedy Smith Award), Redeemer Mine (Finalist, O’Neill Playwrights Conference), and Joyless Eye (Semi-Finalist, O’Neill Playwrights Conference; Runner-up, Jean Kennedy Smith Award). Previous collaborators include the Kitchen Dog Theater, Lily + Joan Theatre Company, Seattle Theatre Works, Theatremasters, and the Boston Playwrights' Theatre. They are the recipient of the 2021 FMM Fellowship for Works in Heightened Language from Synecdoche Works for their play Seahorse.