How do you generate conflict when one person is alone onstage? Who is the character talking to, and why? When does a monologue serve your dramatic purpose better than dialogue? How do you write monologues that are active, not just informative? Get tips and tools to help your monologues soar and sear.

To register:

email Hannah at hannahj@pwcenter.org and let her know if you would like to join virtually or attend locally. Space is limited.