Nolan and Heidi are, like, the perfect couple, bro, who want to celebrate Nolan's promotion with, like, a new pet. But when they decide to buy a cricket for, um, forty bucks (?), it might reveal hidden truths that were, like, way too hidden, and way too, like, truthy. THE CRICKET is a contemporary comedy about relationships and coming out and queer identity and giant bugs and, like, a bunch of other sh*t, inspired by the music of the 80's Brit Pop duo, the Pet Shop Boys. Six seven, Bro.

Elaine, Jana, and Sally are throwing a party for long-time friend Kathy, and you're invited! No, you're literally invited--to help plan the party. Despite the fact that all of us have mixed feelings about Kathy, and also each other, we're going to do what's right by her and plan the best darned bridal shower that has ever been held on Zoom. But planning a party can bring out the best in us, and the worst in us, and a bunch of stuff in between--and Elaine, Jana, and Sally are about to discover just that. Tensions are high and jokes are fast in SOCIAL DISTANCES, an interactive zoom comedy (with 27 possible audience iterations) as we are called to examine the friendships we cling to both on--and off--the internet.

Kelly is determined to her missing activist girlfriend, even if she has to search every protest and rally in the city. Instead, she finds Sophia, an energetic young social justice warrior with her own unique agenda. Sophia offers to help in the search, but the price for Sophia’s aid may be steeper than Kelly had bargained for. EVERYTHING YOU CAN DO (TO MAKE THE WORLD A BETTER PLACE) is a Faustian dark comedy about the effectiveness of activism, the hidden price of social justice, and how far we are willing to go to make the world a better place.

Local drag queen Letta Celebrate just wants to live her life lip-syncing to Lady Gaga at birthday parties, weddings, and occasional Bar Mitzvahs. But when the unlucky Nancy entreats her for help after losing her apartment, her boyfriend, and her mediocre job, Letta finds herself trapped in a time loop in which she must find a way to save Nancy’s life or be doomed to repeat the day forever. In a structure that can only be described as shamelessly stealing from Groundhog Day, D.Q.M. or DRAG QUEEN MAGIC or The Torturous Purgatorial Experience of One Miss Letta Celebrate is an outrageous absurdist comedy about assumptions, otherism, and the trope of the Magic Minority, sponsored by Marbles Gourmet Soups™.

When art collector Gwendolyn Luce approaches artist Elaine Lee for her latest work, sight unseen, she never imagined what would be delivered to her Soho gallery: a twelve-year old girl named “Untitled.” Untitled introduces herself as the “future of art”--but as Gwendolyn prepares herself for the debut of the century, her own daughter, Meg, realizes she must liberate this child--and quickly. And it’s not long before Elaine, herself, realizes she may have given away the one piece of work that meant anything to her at all. Children and Art is a dark comedy about the responsibility artists have to their art, that mothers have to their daughters, and how much of our children we actually own, anyway.

Emilie struggles with the devastating loss of her stillborn child in four distinct parallel timelines. But when an unexpected bend in the space / time continuum brings these four grieving Emilies together, they realize that infinite possible realities means that somewhere, somewhen, their lost son was born alive. Emilie, Emilie, Emilie, and Emilie vow to travel through infinite dimensions, risking permanent erasure from the multiverse, to find the baby boy they thought they’d lost forever. All the Emilies in All the Universes is a play about coping with grief, the act of pursuing self-acceptance, and finding the truth hidden in yourself in the ever-expanding multiverse around you.

A power struggle in a bird watching society unearths old hurts, new resentments, and a level of toxic political maneuvering matched only by what you find in real life in this hilarious comedy about the futility of clinging to power.

1921, Georgia. The small town of Harlan was established fifty years before on the heels of the uncertain and unforgiving Reconstructionist era. Pulling together all they had, former white slave owners and newly freed slaves set aside their predjudices and their pasts to create a new community—one where race is the least of their problems. On a bleak Autumn evening, a young white boy named Geoffrey Pitts discovers that the beloved wife of the black Baptist Minister, Mrs. Celia Rose Richards, has stolen the only car in town and vanished without a trace. His parents, his teacher, the townsfolk—no one knows any specifics concerning this mysterious flight. With the aid of his friend and confidante, Taffy Prull, Geoffrey decides to find Celia Rose and uncover the truth about her disappearance. But in doing so, Geoffrey uncovers secrets of the town that will change Harlan forever. Missing Celia Rose is an examination of the limits of faith, the limits of love, and the limits of tolerance in the unforgiving world of a decimated South.

Amidst the groaning cliff sides and weather beaten shores of southern England, fossil hunter Mary Anning combs the earth for glimpses of the ancient past. Armed with only her determination, her lucky hammer, and her erstwhile companion, Tray, Mary uncovers secrets that redefine science and religion and philosophy. But 19th century geology is a nobleman’s game, and Mary’s discoveries are buried beneath the rubble while the stars of her male counterparts grow ever brighter. The Excavation of Mary Anning is a historical fantasia about things that come from the earth and things that go to the earth, and one woman’s quest to reclaim her legacy in a society that refuses to acknowledge her worth. 

The economy sucks, the job market is hell, and four women arrive to the lobby of Hapdo Technologies Incorporated to vie for the coveted position of Senior Accountant: Wilma Bluckle, a brainy introvert with an extraordinary memory; Janet Janet, the model of positivity; Beverly Weathers, an experienced ex-executive with ambition in spades; Poppy Szank, who may or may not have just slept in the wheel well of 747. A voice on the intercom reveals that the interview will begin in ten minutes, but as the women get to know each other, test each other, taunt each other, they begin to fear that the interview may never come. Each becomes more desperate, more impassioned, more competitive, until an unexpected emergency forces them to band together to save themselves from total disaster! Four women enter–only one may leave with a 401K. Interviewese is an absurdist comedy about corporate ambition, ethics and morality, and the lengths that any sane person would go to for the perfect job.

Something is not quite right with Donna: She’s a loving mother, a devoted wife, and a minor celebrity to all the bake sale planners in town–but something is making her spacey, and she’s not sure what it is. Therapy is out of the question–and church isn’t the place to share one’s distress. Donna will need to pass through space and through time–all the while listening to an unlikely voice–and try to break free from her gravitational pull to learn just how she can land.

How can life be created when the universe is working against you? Both Andy, in his relationship with Matt—and Franny, in her relationship with Ray, are struggling to answer this question when fate (and the internet) brings them together. Through their budding friendship they believe they find the answer, but their partners have astronomical concerns. The Goldilocks Zone is a comedic drama about love and resentment, independence and obligation, and the ability of two couples to figure out just how to create the perfect environment for sustaining life.

Three teenagers discover a bottomless pit in the forest behind their reform school, and though at first it looks to be the solution of their problems, it only heralds a new, unexpected, kind of danger.

Following a nasty fall, professional dancer Paul is diagnosed with a rare form of dementia. In a daily video diary, Paul details his day-to-day life with his new condition. But when his estranged mother arrives, Paul is forced to face hard family truths that had been buried for years, even as everything else slips away. Brisé is a one-man play about voice, about movement, and about holding on tight to the things we try our hardest to forget.