Full-length adult comedy in two acts with an intermission, featuring family conflict, chicanery, and a principal character creating inventive solutions to pressing current problems.
Cast:
BEDSIDE MANOR
CAST of CHARACTERS and SET
HARVEY MASTERSON; Married director of Bedside Manor, late 50’s, nearing retirement.
MARISA MASTERSON; Wife of Harvey. Unhappy, unsatisfied. Early 50’s.
FANCY MASTERSON; Daughter, mid 20’s, ditz.
NURSE STRETCHER; Mental health nurse. 40’s.
THOMAS MEDICINE; Physician, 50’s, inventor.
FRED NISOWN; Pharmacist, 30’s.
ROBERT; Janitor, philosopher, on stage puttering from open to close.
LISA, NURSE-in-TRAINING; 30s to 40’s, attractive.
ABE; Attorney, late 50’s.
MILDRED; Resident of Bedside Manor, horny 50’s.
PHILOMENA MEDICINE; early 50’s, non-speaking until final scene – then sings one line.
ORWELL; Resident of Bedside Manor, unseen voice on house-wide intercom.
SET
One set, consisting of a Great Room central to psychiatric residential hospital. Upstage right door labeled, “LOBBY.” Other doors stage right to left, “RESIDENTS,” “DIRECTOR,” “LAB,” and “PHARM.” Stage left, a counter angled in front of “PHARM”. Set pieces include, on counter nurse setting including papers and a house ‘phone which can be connected to the intercom, which will then be heard throughout Manor and house, a vacuum cleaner and assorted janitorial tools for Robert, small set of shelves next to “Pharm” with cans and pharmaceutical bottles, nearby waste basket, a legal appearing briefcase with a document of four or more pages, and a kazoo.
TIME FRAME
Act I, 3 months ago.
Act II, 2 months ago.
Act III, present.