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SEMINAR DESCRIPTION

Through their commonality as durational forms, theater often has more in common with music than narrative prose. In this seminar, students will explore what concepts of musical composition can teach us about creating energetically dynamic works for the stage. Guided by Jarek, students will discuss common building blocks employed in different genres of musical composition, connect these musical approaches to considerations of how performance pieces can behave, and develop a new lens to consider the dynamic movement of a performance script

This class is for you if you:

  • Have a background or interest in music, instruments, or lyricism.
  • Want to discover ways to utilize music in your writing process.
  • Are a theatremaker interested in leaning further into the energy-exchange/experiential aspects of performance.
  • Want to infuse musicality into your script to create visceral responses from the audience.
  • Are interested in learning more about Jarek Pastor’s work and approach to writing.

What to expect:

  • Presentation and lecture from the instructor.
  • Brief in-class readings/viewings.
  • Discussions surrounding the parallel between music composition and elements of playwriting.
From Jarek

Generally speaking, plays are written for live performance. Approaching their composition through the lens of music fosters a practice that never loses sight of energy-exchange and dynamic movement inherent to the spirit of theatre as opposed to an over-intellectualized construction best reserved for essays.

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“Theatre is closer to poetry and music than the novel.”

—José Rivera

Jarek Pastor

The playwright they/them
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based inSaint Paul, MN
Jarek Pastor is a theatermaker with a focus on play composition, dramaturgy, and directing. Their work moves with a tonal dynamism to enact absurdist portraits of social systems from a mixed race/bilingual/transnational perspective. The result is a theater of being more than the expected doing—of presence and acquaintance more than deed and explanation. This practice is driven by an insistence on finding more communal ways of living beyond the closed horizon of imperialism in all its forms.