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SEMINAR DESCRIPTION

What would happen if we used digital technologies to explore the mysteries of atypical human functioning? What new experiences could we create to help people understand others and be understood themselves? In this seminar, students will explore how disability and neurodivergence can inspire playwriting that focuses on communication, interaction, and mediation experiences.

This class is for you if you:

  • Are interested in exploring digital technologies in works for the stage.
  • Are interested in playwriting in relation to neurodivergence and disability.
  • Are interested in discovering new ways to share the experience of different disabilities and neurodivergence on stage.
  • Are interested in disability critical theory in theater.
  • Are interested in learning more about Aravind Enrique Adyanthaya’s work and approach to writing.

What to expect:

  • Presentation and lecture from the instructor.
  • In-class exercises using different Zoom features.
  • Discussion and presentation about technology, disability critical theory, neuroscience, and theater, and ways to tie them together to create a unique theatrical experience.
From Aravind

In recent years, after a neurological event that has altered how I interact with people and my surroundings, I have found the relationship between theatre and technology in my work changing towards ways of shared interconnection, activation of spectators, memory replay. It is still a mystery how the particular functioning of our minds (body/minds) can be reflected in our plays. Through reviewing different instances, discussion and exercises, you are invited to reflect/create.

Aravind Enrique Adyanthaya

The playwright he, him, él
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based inLajas, PR

Aravind Enrique Adyanthaya is a Puerto Rican experimenter, writer, and stage director. In the U.S., his work has been presented and/or developed by Red Eye Collaboration, The Guthrie Theatre, The Children’s Theatre Company, Intermedia Arts, Teatro del Pueblo, Pangea World Theatre, HERE, Terranova Collective at P.S.122, LA TEA, INTAR, The Loisaida Center, Theatre for the New City, New York Theatre Workshop, The Weisman Art Museum, and The Public Theatre. He has been recipient of Pregones’ Theatre Asunción Prize, the International Casa del Teatro Theatre Award (Dominican Republic), the Puerto Rico Institute of Culture's National Playwriting Award, Jerome and McKnight Fellowships from the Playwrights' Center, and a Joyce commission. His works have traveled to: Barcelona, La Habana, Lima, Amsterdam, Santo Domingo, Essex (U.K.), and Morelia (Mexico). He directs Casa Cruz de la Luna, a multidisciplinary project with a double base in San Germán, Puerto Rico and New York City. Current investigations center on the notion of multitasking spectatorship, the creation of trans-narrative flows (physically moving through books, bodies and memory-laden locations) and the integration of written language technologies to the mise-en-scène. Aravind holds a Ph.D. in theatre historiography from the University of Minnesota’s Department of Theatre Arts and Dance and an M.D. from Mayo Medical School.


Last year, he participated in a writer´s residence at Yaddo (Saratoga Springs, New York) and a performance multimedia project exploring ruins in San Germán, Puerto Rico as part of Beta Local´s Máquina Simple Fellowship sponsored by the Andy Warhol Foundation. He is currently developing his piece "Unbounding [sic] Prometheus" dealing with performance, technology and disability. The project began on December 2023 as part of an artistic residency at CultureHub, NYC.

Connect with Aravind Enrique on social